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‘Anora’ Review: Bringing Up Ani
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‘Smile 2’ Review: A Killer Sequel With A Lot More Pop
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Theater Review: “Green Day’s American Idiot” Ignites in a Rousing Reimagining
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‘Blink’ Review: Inspiring Family Documentary Sets Sights on Global Beauty
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‘Piece By Piece’ Review: One Happy Brickumentary
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Descanso Garden’s “Carved” is a Delightful Mix of Spooky Vibes and Light
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New Rock Popera “Blood/Love” Mixes Anemic Drama with Stellar Vocals
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‘Falling Stars’ Review: A Wonderfully Unnerving Take on the Witch Genre
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‘Saturday Night’ Review: One Wild And Crazy Show
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‘Joker: Folie á Deux’ Review: Stop, I’ve Heard This One Before
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BeyondFest 2024 Review: ‘Terrifier 3’ – Murder All The Way
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In-House Reviews #131: Salem’s Lot, Wolfs, Never Let Go, Lee, & More!
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‘The Wild Robot’ Review: Bot In The Woods
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‘Megalopolis’ Review: From The Heart, For The Future
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‘Fly’ Review: Stunning Doc Gives Viewers Higher Perspective
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Daniel Rester’s September Nomination Predictions for the 97th Oscars
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In-House Reviews #130: The Substance, Azrael, The 4:30 Movie & More!
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‘My Old Ass’ Review: Aubrey Plaza’s the Ghost of Midlife Future
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‘My Old Ass’ Interview: Megan Park and Maisy Stella talk casting and advice from their younger selves.
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‘Transformers One’ Review: More Than Meets The Ads
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